1 00:00:01,330 --> 00:00:03,810 - [Instructor] This is one of two short videos, 2 00:00:03,810 --> 00:00:08,810 to accompany the Sibelius/Logic Arranging project. 3 00:00:10,180 --> 00:00:12,070 These videos are not substitutes 4 00:00:12,070 --> 00:00:15,560 for the detailed written instructions on the website. 5 00:00:15,560 --> 00:00:18,390 I'm just using these videos to help you visualize 6 00:00:18,390 --> 00:00:21,660 to see more easily where some of these tools are 7 00:00:21,660 --> 00:00:23,160 and how you perform these actions 8 00:00:23,160 --> 00:00:24,950 because that can be easier to do, 9 00:00:24,950 --> 00:00:27,330 visually than through text descriptions. 10 00:00:27,330 --> 00:00:29,670 But I'm assuming that you will be reading carefully 11 00:00:29,670 --> 00:00:33,560 and following along closely the step by step directions 12 00:00:33,560 --> 00:00:35,803 which this is not a substitute for. 13 00:00:37,629 --> 00:00:39,010 So this is an arranging project, 14 00:00:39,010 --> 00:00:42,260 you're going to begin by opening this short piano piece, 15 00:00:42,260 --> 00:00:47,010 the chopin_28_4 piano prelude, 16 00:00:47,010 --> 00:00:50,290 and then arranging it for a small ensemble of instruments, 17 00:00:50,290 --> 00:00:51,383 of four instruments. 18 00:00:53,010 --> 00:00:54,900 You could do this in a very traditional way, 19 00:00:54,900 --> 00:00:58,170 like picking a very classical ensemble 20 00:00:58,170 --> 00:01:00,760 that would sort of be appropriate to the style of the piece, 21 00:01:00,760 --> 00:01:02,490 like a string quartet 22 00:01:02,490 --> 00:01:05,954 or another group of like sounding instruments 23 00:01:05,954 --> 00:01:07,823 like four Clarinets, 24 00:01:08,880 --> 00:01:11,670 or you could do something much less traditional 25 00:01:11,670 --> 00:01:13,160 and experimental. 26 00:01:13,160 --> 00:01:15,550 The only thing that I'm concerned about 27 00:01:15,550 --> 00:01:17,530 in terms of the assessment, 28 00:01:17,530 --> 00:01:19,560 is that when you choose instruments, 29 00:01:19,560 --> 00:01:22,150 you are careful that the notes you're giving them 30 00:01:22,150 --> 00:01:25,330 are in their appropriate playing range 31 00:01:25,330 --> 00:01:27,290 that you're not writing notes out of range. 32 00:01:27,290 --> 00:01:29,550 Sibelius will help you see this. 33 00:01:29,550 --> 00:01:33,980 Now when you arrange a piece for another ensemble, 34 00:01:33,980 --> 00:01:37,240 change it from piano to string quartet, say, 35 00:01:37,240 --> 00:01:39,700 there can be a certain amount of arrangers license 36 00:01:39,700 --> 00:01:42,740 and creative leeway that you can take. 37 00:01:42,740 --> 00:01:43,867 So it isn't necessarily just 38 00:01:43,867 --> 00:01:47,830 a sort of machine-like secretarial action of like putting 39 00:01:47,830 --> 00:01:50,870 this note in this instrument and that's the end of it. 40 00:01:50,870 --> 00:01:52,120 So for instance, 41 00:01:52,120 --> 00:01:54,510 if you were to do this for string quartet, 42 00:01:54,510 --> 00:01:56,490 you'll find that the bottom notes can all 43 00:01:56,490 --> 00:01:58,330 be played very nicely by the cello 44 00:01:58,330 --> 00:02:00,360 until you get to the very end. 45 00:02:00,360 --> 00:02:02,690 And then there's a note that's just a half step 46 00:02:02,690 --> 00:02:06,120 below the lowest note that the cello can play. 47 00:02:06,120 --> 00:02:07,410 So it would be a shame to give 48 00:02:07,410 --> 00:02:10,080 up your idea of using cello just for one note, right? 49 00:02:10,080 --> 00:02:12,730 So you can make some subtle adjustments 50 00:02:12,730 --> 00:02:14,300 to try to make this work, 51 00:02:14,300 --> 00:02:18,510 move notes into a different register, for example, 52 00:02:18,510 --> 00:02:19,370 but if you do that, 53 00:02:19,370 --> 00:02:22,630 just be thoughtful that you're not making an abrupt leap 54 00:02:22,630 --> 00:02:24,080 where there should be a smooth step. 55 00:02:24,080 --> 00:02:26,670 So maybe instead of just jumping 56 00:02:26,670 --> 00:02:29,220 to the register that you need for a certain note, 57 00:02:29,220 --> 00:02:33,050 you might move to that other register a little bit earlier 58 00:02:33,050 --> 00:02:35,550 if that's a smoother way of doing it. 59 00:02:35,550 --> 00:02:37,230 Or in the harmony chords, 60 00:02:37,230 --> 00:02:40,030 if a note is outside the range of the instrument 61 00:02:40,030 --> 00:02:43,310 or sounds inappropriately high or low, 62 00:02:43,310 --> 00:02:44,903 even if it's within the range, 63 00:02:45,800 --> 00:02:48,870 you could also adjust the voicings 64 00:02:48,870 --> 00:02:50,750 of the harmony chords somewhat. 65 00:02:50,750 --> 00:02:52,610 Just be sure that whatever you do, 66 00:02:52,610 --> 00:02:57,460 doesn't too much alter the sounds, the harmony, 67 00:02:57,460 --> 00:03:00,870 the melody, the baseline that are inherent 68 00:03:00,870 --> 00:03:02,620 to the piece that you're arranging. 69 00:03:05,010 --> 00:03:06,210 All right, so you make a decision. 70 00:03:06,210 --> 00:03:10,350 Let's decide, let's say I wanna write for three strings 71 00:03:10,350 --> 00:03:12,380 for the accompaniment parts 72 00:03:12,380 --> 00:03:15,510 and maybe give the melody to a Clarinet. 73 00:03:15,510 --> 00:03:16,890 So you need to call up 74 00:03:16,890 --> 00:03:20,400 the instrument dialog box in Sibelius 75 00:03:20,400 --> 00:03:24,073 the shortcut, keyboard shortcut I for instrument, 76 00:03:26,540 --> 00:03:28,760 and that will bring this dialog, 77 00:03:28,760 --> 00:03:30,480 Add or Remove Instruments. 78 00:03:30,480 --> 00:03:33,640 So over here we have instrument categories, 79 00:03:33,640 --> 00:03:36,793 I'm going to choose Strings. 80 00:03:39,490 --> 00:03:42,920 And I can select more things more than one thing at once. 81 00:03:42,920 --> 00:03:47,660 I could select Violin, Viola, whoops, 82 00:03:47,660 --> 00:03:51,440 Violin, Viola and Cello 83 00:03:51,440 --> 00:03:54,550 then I still have to click Add to Score here. 84 00:03:54,550 --> 00:03:56,550 And the pop-up over here showing me 85 00:03:56,550 --> 00:03:58,690 that I have these new staves in my score 86 00:04:00,070 --> 00:04:02,860 and I was going to use Clarinet, 87 00:04:02,860 --> 00:04:06,290 so go in the Woodwind category 88 00:04:06,290 --> 00:04:10,330 and pick soprano Clarinet in B flat, 89 00:04:10,330 --> 00:04:13,690 that's Clarinet B flat, the ordinary clarinet. 90 00:04:13,690 --> 00:04:16,040 So now I have these new instruments in my score 91 00:04:16,040 --> 00:04:17,710 and you can leave it as is 92 00:04:17,710 --> 00:04:20,460 or just for clarity while you're looking at this, 93 00:04:20,460 --> 00:04:23,180 if you want to take the original piano part 94 00:04:23,180 --> 00:04:24,910 and make sure that it's all the way on the top 95 00:04:24,910 --> 00:04:26,760 or all the way on the bottom. 96 00:04:26,760 --> 00:04:29,180 So it's easier to see the layout 97 00:04:29,180 --> 00:04:32,510 in your score of the old versus the new instruments. 98 00:04:32,510 --> 00:04:34,920 You could select the Piano staves 99 00:04:34,920 --> 00:04:37,560 and then click the Down or the Up button 100 00:04:37,560 --> 00:04:39,473 to move the position of the staves. 101 00:04:40,370 --> 00:04:41,890 Then you click OK, 102 00:04:41,890 --> 00:04:45,670 and you'll get this full score arrangement now 103 00:04:45,670 --> 00:04:48,823 with the original piano part and the new instruments. 104 00:04:51,470 --> 00:04:54,887 So the first thing you're gonna do is copy the melody part, 105 00:04:54,887 --> 00:04:57,150 the right-hand of the piano 106 00:04:57,150 --> 00:04:59,900 into whatever you've chosen for your melody instrument. 107 00:04:59,900 --> 00:05:02,320 And here there's the nice shortcut in Sibelius, 108 00:05:02,320 --> 00:05:05,003 that if you click on a blank area of a staff, 109 00:05:06,090 --> 00:05:07,680 it selects an entire measure. 110 00:05:07,680 --> 00:05:10,200 But if you double click that blank area, 111 00:05:10,200 --> 00:05:14,440 it selects that staff for the whole system. 112 00:05:14,440 --> 00:05:19,080 And if you triple click, a blank area quickly enough, 113 00:05:19,080 --> 00:05:20,770 you'll see that it's selected that staff 114 00:05:20,770 --> 00:05:23,170 throughout the whole score, which is nice. 115 00:05:23,170 --> 00:05:25,230 So now that that staff was selected, 116 00:05:25,230 --> 00:05:29,080 you might think, Oh I should copy it into the clipboard. 117 00:05:29,080 --> 00:05:31,330 You know, Command+C for copy, 118 00:05:31,330 --> 00:05:33,930 and then paste it, Command+V where I want it to go. 119 00:05:33,930 --> 00:05:35,140 And you can do that, 120 00:05:35,140 --> 00:05:37,630 but in Sibelius the nice thing is that you don't have to, 121 00:05:37,630 --> 00:05:38,770 because in music notation, 122 00:05:38,770 --> 00:05:42,840 you're so often copying music from one place to another, 123 00:05:42,840 --> 00:05:45,550 that Sibelius works that even as soon as something 124 00:05:45,550 --> 00:05:47,850 is even selected on screen, 125 00:05:47,850 --> 00:05:52,440 it's automatically in the clipboard available for copying. 126 00:05:52,440 --> 00:05:55,510 So what you do is take the music that's selected, 127 00:05:55,510 --> 00:05:57,310 point your mouse where you want it to start, 128 00:05:57,310 --> 00:05:59,080 the target area, 129 00:05:59,080 --> 00:06:01,463 and then just holding down the option key, 130 00:06:02,610 --> 00:06:05,390 if now click, you'll see that, 131 00:06:05,390 --> 00:06:08,363 Oh magically that has now been copied there. 132 00:06:09,820 --> 00:06:11,970 So that's how I'm going to copy the melody part 133 00:06:11,970 --> 00:06:13,057 into the new instrument. 134 00:06:13,057 --> 00:06:15,110 And again, you're going to want to check 135 00:06:15,110 --> 00:06:17,350 that everything's in range 136 00:06:17,350 --> 00:06:20,650 and you can also listen to playback in Sibelius, right, 137 00:06:20,650 --> 00:06:22,010 to see what it sounds like. 138 00:06:22,010 --> 00:06:24,800 So with that staff selected, for instance, 139 00:06:24,800 --> 00:06:28,760 it will play back only the sounds and the selected staves. 140 00:06:28,760 --> 00:06:31,240 So if you hit P for play, 141 00:06:31,240 --> 00:06:34,400 or if you want to have more easy visual control 142 00:06:34,400 --> 00:06:36,840 over the whole playback situation, 143 00:06:36,840 --> 00:06:41,410 you can call up the transport controls by holding 144 00:06:41,410 --> 00:06:44,530 Option+Command+Y, 145 00:06:44,530 --> 00:06:45,663 Y for play, 146 00:06:47,290 --> 00:06:49,650 and then you'll get this, these transport controls. 147 00:06:49,650 --> 00:06:50,980 So you can audition that 148 00:06:50,980 --> 00:06:52,670 and see does that sound good in that range? 149 00:06:52,670 --> 00:06:55,330 Or do the high notes just sound too strange 150 00:06:55,330 --> 00:06:57,630 or the low notes sound too muffled or something? 151 00:06:57,630 --> 00:06:59,660 So you can make some musical decisions about 152 00:06:59,660 --> 00:07:03,200 whether that was a good choice for assigning 153 00:07:03,200 --> 00:07:04,300 the melody instrument, 154 00:07:05,520 --> 00:07:07,700 or if you want to change instruments 155 00:07:07,700 --> 00:07:09,180 or maybe leave that instrument 156 00:07:09,180 --> 00:07:12,550 but make some thoughtful adjustments of 157 00:07:12,550 --> 00:07:15,400 what octave certain things are happening in, for example. 158 00:07:16,560 --> 00:07:18,310 So that's otherwise very straightforward. 159 00:07:18,310 --> 00:07:20,950 Now we're going to do the kind of cool thing 160 00:07:20,950 --> 00:07:24,350 which is we're going to select the left hand, 161 00:07:24,350 --> 00:07:29,350 which is mostly the mid-range harmony part, right? 162 00:07:29,660 --> 00:07:32,830 Rather than having like an independent baseline 163 00:07:32,830 --> 00:07:33,760 as well as harmony. 164 00:07:33,760 --> 00:07:35,960 It's mostly just these three note chords. 165 00:07:35,960 --> 00:07:40,620 So I'm going to, once again, triple click, any blank spots 166 00:07:40,620 --> 00:07:44,070 in that lower staff now that lower staff is selected 167 00:07:44,070 --> 00:07:45,173 throughout this chord. 168 00:07:46,360 --> 00:07:49,780 This time, in order to do what I'm going to do next, 169 00:07:49,780 --> 00:07:53,720 which is called exploding this music into multiple staffs, 170 00:07:53,720 --> 00:07:56,630 this time you do have to actually copy 171 00:07:56,630 --> 00:07:59,310 that is you have to like in most programs, 172 00:07:59,310 --> 00:08:02,230 hold down on Mac, Command+C, 173 00:08:02,230 --> 00:08:06,720 or go to the Edit menu above and choose Copy. 174 00:08:06,720 --> 00:08:11,720 So you copy that then into the three staves 175 00:08:11,890 --> 00:08:13,950 where I'm going to distribute these chords, 176 00:08:13,950 --> 00:08:16,870 the Violin, Viola, and Cello. 177 00:08:16,870 --> 00:08:18,900 What I wanna do is once again, 178 00:08:18,900 --> 00:08:22,210 click sort of the target where I wanna start. 179 00:08:22,210 --> 00:08:25,770 This time now though I'm going to hold down Shift and click 180 00:08:25,770 --> 00:08:28,843 so that all three of those staves are selected. 181 00:08:30,390 --> 00:08:33,240 And now that I've selected all three of those staves, 182 00:08:33,240 --> 00:08:37,480 and I've copied the music that I want into the clipboard. 183 00:08:37,480 --> 00:08:41,820 Now I go to the, what is it? 184 00:08:41,820 --> 00:08:45,463 The Note Input tab, 185 00:08:46,900 --> 00:08:47,733 on the top here, 186 00:08:47,733 --> 00:08:50,750 and in Note Input almost all the way to the right, 187 00:08:50,750 --> 00:08:53,600 there's the Arrange panel. 188 00:08:53,600 --> 00:08:54,830 And in this Arrange panel, 189 00:08:54,830 --> 00:08:58,210 I wanna go to the second option Explode. 190 00:08:58,210 --> 00:08:59,350 So I'll choose Explode, 191 00:08:59,350 --> 00:09:01,550 it'll think about it for a second and bingo, 192 00:09:02,410 --> 00:09:07,350 all of the notes of these, of the lower staff on the piano, 193 00:09:07,350 --> 00:09:10,223 the left-hand have now been distributed, 194 00:09:11,200 --> 00:09:13,623 one note each to those three instruments. 195 00:09:14,770 --> 00:09:16,170 Now that's a nice shortcut, 196 00:09:16,170 --> 00:09:17,080 it's a handy tool, 197 00:09:17,080 --> 00:09:18,080 it's a nice trick, 198 00:09:18,080 --> 00:09:20,120 but you are going to have to go 199 00:09:20,120 --> 00:09:24,400 and check it and clean it up. 200 00:09:24,400 --> 00:09:26,570 Because in places where there are exactly three notes 201 00:09:26,570 --> 00:09:29,110 in the chord and you want the notes distributed, 202 00:09:29,110 --> 00:09:32,210 one, two, three like that it'll happen automatically. 203 00:09:32,210 --> 00:09:33,940 But in places where there are fewer notes, 204 00:09:33,940 --> 00:09:38,120 like if there's just a single bass note or octave 205 00:09:38,120 --> 00:09:40,060 in the base like here, 206 00:09:40,060 --> 00:09:41,410 then something else will happen. 207 00:09:41,410 --> 00:09:44,790 It will maybe give a note to more than one instrument 208 00:09:44,790 --> 00:09:46,120 and maybe that's fine, 209 00:09:46,120 --> 00:09:47,630 but maybe that's something you wanna change 210 00:09:47,630 --> 00:09:50,290 and get rid of those new doublings. 211 00:09:50,290 --> 00:09:52,760 You can also drag the staves various way, 212 00:09:52,760 --> 00:09:54,840 so you can see more clearly what's going on. 213 00:09:54,840 --> 00:09:57,930 Also some of these notes will be way out of range 214 00:09:57,930 --> 00:10:01,990 because really the piano part here is not one thing, 215 00:10:01,990 --> 00:10:03,920 the chords, but really two things, 216 00:10:03,920 --> 00:10:08,920 the chords and like an implied independence lower base part 217 00:10:08,920 --> 00:10:10,330 in some places. 218 00:10:10,330 --> 00:10:11,540 So in those places, 219 00:10:11,540 --> 00:10:15,090 you may need to make some adjustments 220 00:10:15,090 --> 00:10:18,100 to make your arrangement for the sound more appropriate. 221 00:10:18,100 --> 00:10:19,310 I talk about that a little bit more 222 00:10:19,310 --> 00:10:21,150 in the instructions as well. 223 00:10:21,150 --> 00:10:22,980 So you will have to do some cleanup 224 00:10:22,980 --> 00:10:25,380 but it's a nice way to quickly get the music 225 00:10:25,380 --> 00:10:26,660 into multiple staves. 226 00:10:26,660 --> 00:10:29,040 Likewise, at the end, you have some chords 227 00:10:29,040 --> 00:10:32,090 that have more than three or four notes. 228 00:10:32,090 --> 00:10:34,280 So you're gonna have to make some changes there 229 00:10:34,280 --> 00:10:38,810 to make that work for the three single line instruments 230 00:10:38,810 --> 00:10:39,643 that you've chosen. 231 00:10:39,643 --> 00:10:43,060 And that is a condition of this part of the project 232 00:10:43,060 --> 00:10:46,300 that you're arranging this for single line instruments 233 00:10:46,300 --> 00:10:50,170 like wings and strings not for like guitar 234 00:10:50,170 --> 00:10:54,680 or organ or vibraphone or other, other instruments, 235 00:10:54,680 --> 00:10:57,573 harp, that that play chords by themselves. 236 00:10:58,720 --> 00:11:00,530 One thing I should mention here too, 237 00:11:00,530 --> 00:11:02,680 if you haven't encountered this before, 238 00:11:02,680 --> 00:11:04,770 some instruments that you might choose are 239 00:11:04,770 --> 00:11:07,360 what are called transposing instruments, 240 00:11:07,360 --> 00:11:10,320 which means that they read music actually 241 00:11:10,320 --> 00:11:13,130 at different pitches in a different key 242 00:11:13,130 --> 00:11:15,713 than the sounds that result. 243 00:11:16,550 --> 00:11:20,880 So for example, the Clarinet is a Clarinet in D flat, 244 00:11:20,880 --> 00:11:22,580 that means that when it plays, 245 00:11:22,580 --> 00:11:26,470 what it sees as the note C actually the sound that comes 246 00:11:26,470 --> 00:11:28,790 out what's called concert pitch, 247 00:11:28,790 --> 00:11:30,163 is the note B flat. 248 00:11:31,820 --> 00:11:34,590 There are two different ways of viewing 249 00:11:34,590 --> 00:11:36,560 the clarinet in the score. 250 00:11:36,560 --> 00:11:39,120 You can view it at what's called concert pitch 251 00:11:39,120 --> 00:11:41,390 which means what you see is what you get. 252 00:11:41,390 --> 00:11:44,760 It's going to be the sound in pitches that are notated 253 00:11:44,760 --> 00:11:48,580 or you can view it in what's called transposed score 254 00:11:48,580 --> 00:11:51,880 which means the Clarinet part will look like 255 00:11:51,880 --> 00:11:54,610 what the clarinetist is actually going to see 256 00:11:54,610 --> 00:11:55,990 in their music, 257 00:11:55,990 --> 00:11:58,390 which is not the actual concert pitch. 258 00:11:58,390 --> 00:12:01,690 And what you do is you go to the Home tab, 259 00:12:01,690 --> 00:12:05,210 and if you go to the icon that says Transposing Score 260 00:12:05,210 --> 00:12:08,770 that has a little key signature picture 261 00:12:08,770 --> 00:12:09,603 and click on that, 262 00:12:09,603 --> 00:12:10,890 it will toggle back and forth 263 00:12:10,890 --> 00:12:14,300 between concert pitch, sounding pitch, 264 00:12:14,300 --> 00:12:15,770 which is what we have here 265 00:12:15,770 --> 00:12:19,190 and transposed score where any transposing instruments 266 00:12:19,190 --> 00:12:22,603 will be notated as they will appear for them. 267 00:12:25,060 --> 00:12:28,110 All right, so at this stage of the project, 268 00:12:28,110 --> 00:12:30,090 you are going to do a certain amount of work 269 00:12:30,090 --> 00:12:33,180 which I'm going to gloss over here in this video 270 00:12:33,180 --> 00:12:35,010 but you're going to do a certain amount of work to see 271 00:12:35,010 --> 00:12:37,720 that it sounds like what you want it to sound like, 272 00:12:37,720 --> 00:12:39,190 the instrument choices. 273 00:12:39,190 --> 00:12:41,770 And that, again, you sort of taken care 274 00:12:41,770 --> 00:12:44,100 of any register issues 275 00:12:44,100 --> 00:12:47,980 and you have made appropriate choices 276 00:12:47,980 --> 00:12:50,900 where there are more than three notes 277 00:12:50,900 --> 00:12:52,750 or fewer than three notes, 278 00:12:52,750 --> 00:12:55,050 so that everything works out. 279 00:12:55,050 --> 00:12:56,660 But after you've done all that, 280 00:12:56,660 --> 00:13:01,370 what I want you to do is to print everything. 281 00:13:01,370 --> 00:13:03,800 So you're going to print a full score, 282 00:13:03,800 --> 00:13:06,440 that is all of the parts together 283 00:13:06,440 --> 00:13:08,909 the way it looks here on the screen right now. 284 00:13:08,909 --> 00:13:12,250 And you're also going to print individual parts such as 285 00:13:12,250 --> 00:13:13,520 you would give to each player, 286 00:13:13,520 --> 00:13:15,730 the Clarinetist gets the Clarinet part, 287 00:13:15,730 --> 00:13:17,130 and so on. 288 00:13:17,130 --> 00:13:19,840 Now, you don't literally have to print this to paper, 289 00:13:19,840 --> 00:13:23,140 and use trees and ink and money, 290 00:13:23,140 --> 00:13:25,250 you just have to make PDF files 291 00:13:25,250 --> 00:13:28,670 which you'll put in your folder and submit along 292 00:13:28,670 --> 00:13:30,520 with everything else in this project. 293 00:13:31,690 --> 00:13:33,600 So here it's important to follow 294 00:13:33,600 --> 00:13:37,100 the written directions very closely, okay? 295 00:13:37,100 --> 00:13:42,100 Because Sibelius has a number of sort of fancy shortcuts 296 00:13:42,740 --> 00:13:46,630 and kind of batch printing techniques like to print all 297 00:13:46,630 --> 00:13:48,010 the parts at once, 298 00:13:48,010 --> 00:13:50,060 or to send all the parts to print them 299 00:13:50,060 --> 00:13:51,403 and send them by email, 300 00:13:52,540 --> 00:13:53,740 and so on. 301 00:13:53,740 --> 00:13:58,740 The thing is these tools either don't work consistently 302 00:14:00,690 --> 00:14:01,930 and are difficult to tweak 303 00:14:01,930 --> 00:14:04,420 to make them do what they're supposed to do, 304 00:14:04,420 --> 00:14:06,750 or they work fairly well 305 00:14:06,750 --> 00:14:09,030 but only when you're literally printing, 306 00:14:09,030 --> 00:14:11,700 not when you're saving to PDF files. 307 00:14:11,700 --> 00:14:15,400 So do follow the written instructions very closely here 308 00:14:15,400 --> 00:14:16,803 and what you're going to do, 309 00:14:17,950 --> 00:14:20,180 I'll just mention it briefly here, 310 00:14:20,180 --> 00:14:23,760 is you're going to use the print command, Command+P, 311 00:14:23,760 --> 00:14:25,260 or if you prefer, 312 00:14:25,260 --> 00:14:27,810 you can click on the File tab 313 00:14:27,810 --> 00:14:29,990 and go down to print either way, 314 00:14:29,990 --> 00:14:32,013 you'll get to this dialog box. 315 00:14:33,620 --> 00:14:34,790 And then you're going to just have 316 00:14:34,790 --> 00:14:38,010 to make multiple passes to make this work. 317 00:14:38,010 --> 00:14:39,880 So to Print the full score, 318 00:14:39,880 --> 00:14:42,300 you select if it isn't already selected, 319 00:14:42,300 --> 00:14:43,853 Print full score. 320 00:14:45,270 --> 00:14:47,570 You can ignore all of these fancy options, 321 00:14:47,570 --> 00:14:51,080 All pages, Normal, left, right collated, blah-blah-blah, 322 00:14:51,080 --> 00:14:52,530 just skip that. 323 00:14:52,530 --> 00:14:54,950 Scroll down, if it's not visible, 324 00:14:54,950 --> 00:14:57,180 you'll have to scroll down all the way to the bottom 325 00:14:57,180 --> 00:14:59,770 and then click on this button that says, 326 00:14:59,770 --> 00:15:02,103 Use OS dialog. 327 00:15:03,010 --> 00:15:06,230 And what that button does is it tells Sibelius 328 00:15:06,230 --> 00:15:09,050 to stop trying to be so helpful, 329 00:15:09,050 --> 00:15:11,560 to get out of the way and just let me print 330 00:15:11,560 --> 00:15:14,810 the regular old ordinary way using 331 00:15:14,810 --> 00:15:17,060 my computer's operating system. 332 00:15:17,060 --> 00:15:20,960 So don't click any of these other things 333 00:15:20,960 --> 00:15:23,209 that kinda let Sibelius try to take 334 00:15:23,209 --> 00:15:25,360 over your print operation, 335 00:15:25,360 --> 00:15:26,800 just select Full score, 336 00:15:26,800 --> 00:15:30,390 go down to the bottom and then use OS dialog. 337 00:15:30,390 --> 00:15:33,810 Then you'll get whatever dialog box you normally get 338 00:15:33,810 --> 00:15:35,623 on your computer about printing. 339 00:15:36,592 --> 00:15:39,780 And if you're on Mac somewhere, it will say PDF, 340 00:15:39,780 --> 00:15:42,790 and you can say, Save as PDF. 341 00:15:42,790 --> 00:15:44,560 If you're on windows, 342 00:15:44,560 --> 00:15:46,570 you'll have an option for, 343 00:15:46,570 --> 00:15:51,270 I think it's called Print to PDF on windows operating system 344 00:15:51,270 --> 00:15:52,280 but one way or another, 345 00:15:52,280 --> 00:15:53,860 you'll choose this option. 346 00:15:53,860 --> 00:15:56,633 And then once you've chosen, Save as PDF, 347 00:15:57,970 --> 00:16:02,970 then choose a location and fix it and it should be all set. 348 00:16:07,200 --> 00:16:11,340 Then you have to go back and do that again 349 00:16:11,340 --> 00:16:13,170 for each individual part. 350 00:16:13,170 --> 00:16:15,760 So I'll once again, I go to the print dialog, 351 00:16:15,760 --> 00:16:18,900 this time I go to Print parts 352 00:16:18,900 --> 00:16:19,733 and you might think, 353 00:16:19,733 --> 00:16:22,530 Oh great, now I can just select all the parts at once. 354 00:16:22,530 --> 00:16:24,070 No, that will not work. 355 00:16:24,070 --> 00:16:26,150 At least not when you're printing to PDF, 356 00:16:26,150 --> 00:16:28,290 you have to select each part 357 00:16:28,290 --> 00:16:29,860 and do this separately for each part. 358 00:16:29,860 --> 00:16:31,970 Select the top part, 359 00:16:31,970 --> 00:16:34,840 once again, go down to use OS dialog, 360 00:16:34,840 --> 00:16:37,783 go through those whole steps just as we did before. 361 00:16:39,400 --> 00:16:41,170 One other thing to keep in mind, 362 00:16:41,170 --> 00:16:43,960 if you are doing this in the music tech lab, 363 00:16:43,960 --> 00:16:45,810 in the music building, 364 00:16:45,810 --> 00:16:49,050 it might let you do this without any trouble 365 00:16:49,050 --> 00:16:50,890 but it's also sometimes the case 366 00:16:50,890 --> 00:16:54,790 that it will prompt you to enter an ID 367 00:16:54,790 --> 00:16:58,300 and a passcode to be able to use the printer. 368 00:16:58,300 --> 00:17:00,830 Even though you're not really using the printer at all, 369 00:17:00,830 --> 00:17:03,110 but just gonna be saving as PDFs, 370 00:17:03,110 --> 00:17:07,550 it may prompt you for an ID and password. 371 00:17:07,550 --> 00:17:08,880 If that happens, 372 00:17:08,880 --> 00:17:11,650 just leave the ID and password blank, 373 00:17:11,650 --> 00:17:13,550 and click OK, 374 00:17:13,550 --> 00:17:16,290 and it will probably let you continue, right? 375 00:17:16,290 --> 00:17:18,390 So you can ignore that. 376 00:17:18,390 --> 00:17:19,340 Just click, OK, 377 00:17:19,340 --> 00:17:20,413 it should let you go. 378 00:17:22,190 --> 00:17:24,380 And I want you to go through all these steps 379 00:17:24,380 --> 00:17:26,930 even though we're not giving your arrangement 380 00:17:26,930 --> 00:17:28,960 to actual real musicians to play, 381 00:17:28,960 --> 00:17:31,100 just so that you know how to do all these things. 382 00:17:31,100 --> 00:17:36,100 And that you understand that the end product of notation 383 00:17:37,210 --> 00:17:41,470 for most people is going to be a piece of paper or a PDF. 384 00:17:41,470 --> 00:17:44,920 You don't want to send a Sibelius file, 385 00:17:44,920 --> 00:17:47,690 or a finale file or use a music score file, 386 00:17:47,690 --> 00:17:50,440 or whatever music notation you're using, 387 00:17:50,440 --> 00:17:54,900 you don't in general want to send that to some musician, 388 00:17:54,900 --> 00:17:57,590 if you don't know that they have your program 389 00:17:57,590 --> 00:17:59,900 in your version and can open it up 390 00:17:59,900 --> 00:18:02,010 and see what you want them to see, right? 391 00:18:02,010 --> 00:18:05,950 The end result of a music notation file 392 00:18:05,950 --> 00:18:09,890 for most end users is going to be paper 393 00:18:09,890 --> 00:18:14,890 or PDF just like the end results of a doll file, 394 00:18:15,060 --> 00:18:18,090 like a logic arrangement that you make 395 00:18:18,090 --> 00:18:21,400 is going to be some sort of audio file, 396 00:18:21,400 --> 00:18:24,653 a wave file, an MP3 and so on. 397 00:18:27,310 --> 00:18:29,460 So that takes care of the whole printing. 398 00:18:29,460 --> 00:18:31,230 There's one other thing that you need 399 00:18:31,230 --> 00:18:33,810 to do still in Sibelius. 400 00:18:33,810 --> 00:18:35,800 So before we move over to logic, 401 00:18:35,800 --> 00:18:40,800 you need to export this file as a standard MIDI file 402 00:18:42,350 --> 00:18:45,160 which logic is going to be able to interpret. 403 00:18:45,160 --> 00:18:47,820 So once again, you go to the File tab, 404 00:18:47,820 --> 00:18:49,740 all the way on the left top left 405 00:18:50,870 --> 00:18:55,870 and then you go to Export and you choose MIDI. 406 00:18:56,860 --> 00:18:59,080 And this is the wonderful magic of MIDI, right? 407 00:18:59,080 --> 00:19:02,180 That a Sibelius score will not look exactly the same 408 00:19:02,180 --> 00:19:04,740 if you open it up in some other program. 409 00:19:04,740 --> 00:19:06,450 And it won't sound the same, 410 00:19:06,450 --> 00:19:11,450 if you open it up in some sort of MIDI or audio program 411 00:19:11,850 --> 00:19:16,790 but you can export a Sibelius file to MIDI, 412 00:19:16,790 --> 00:19:19,880 so that the basic information will be readable, 413 00:19:19,880 --> 00:19:21,916 interpretable by any MIDI, 414 00:19:21,916 --> 00:19:25,070 any good MIDI compatible application. 415 00:19:25,070 --> 00:19:26,593 So we go to the MIDI file, 416 00:19:27,431 --> 00:19:30,810 it's going to give you this Export MIDI dialog box. 417 00:19:30,810 --> 00:19:34,040 You want to choose that the MIDI file would be played using 418 00:19:34,040 --> 00:19:36,470 a different playback device, 419 00:19:36,470 --> 00:19:39,900 i.e., not Sibelius' internal sound engine. 420 00:19:39,900 --> 00:19:41,980 You can leave this at general MIDI 421 00:19:41,980 --> 00:19:43,130 or set it to general MIDI 422 00:19:43,130 --> 00:19:44,310 if it's not there. 423 00:19:44,310 --> 00:19:45,990 Type 1, tick resolution, 424 00:19:45,990 --> 00:19:47,920 you can leave all that as is, 425 00:19:47,920 --> 00:19:50,390 and then go down to the Export button 426 00:19:50,390 --> 00:19:53,220 and it should create a MIDI file, 427 00:19:53,220 --> 00:19:55,980 which then you can open up in logic. 428 00:19:55,980 --> 00:19:58,040 And I'll talk about the various actions 429 00:19:58,040 --> 00:19:59,330 that you need to do in logic, 430 00:19:59,330 --> 00:20:00,363 in the next video.